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AAA’s plot of two good for nothing dreamers, Amar and Prem (Aamir, Salman), leaving no stone unturned to win the heart of a rich heiress, Raveena Bajaj (Raveena Tandon) in order to strike it big while circumventing her secretary Karishma (Karishma Kapoor), who incidentally is the real Raveena, and the diabolical duo of her staff, Bhalla and Robert (Shazad Khan, Viju Khote) who are actually pawns of Raveena’s Uncle Teja (Paresh Rawal), the evil twin of her businessman father Ramgopal Bajaj (Paresh Rawal, again), who wants to kill his brother to take his millions in order to pay off ‘Crime Master’ Gogo (Shakti Kapoor) offers a lot of scope for situational comedy that was a hallmark of the 1960's funnies. Unlike the 1960s that had a dedicated comedy track featuring Johnny Walker, Mehmood or Tun Tun, Shashikala and Agha running parallel to the main plot, the 1980's trajectory was loud, lewd and even disconnected from the main film. This was a time that was perched between the two slapstick phases - one that was the 1980's Kader Khan-Shakti Kapoor-Aruna Irani-Jagdeep-Asrani mindless southern remake onslaught and the other that was the David Dhawan-Govinda-Kader Khan-Johnny Lever Raja Babu (1994), Coolie No 1 (1995), S aajan Chale Sasural (1996), Hero No 1 (1997), and Duhle Raja (1998) period. The period of early 1990s, when AAA was under production, is a very unique phase as far as comedy in Hindi cinema went. What essentially makes the film exceptional is how using everything contemporary AAA chose to doff its hat to an era that saw some of the best comic films in Hindi cinema. But while these factors added to the film they aren’t what made AAA truly unique then and a cult favorite now. Santoshi then decided to bring Salman Khan to the party followed by then relative newcomers Karishma Kapoor and Raveena Tandon as the female leads along with Paresh Rawal in a double role. Khan’s comic timing in films such as Dil (1990) and Dil Hai Ki Manta Nahi (1991) had revealed his funny bone but it took Santoshi’s laugh-a-minute script to really tickle it. With two back-to-back dramas in Ghayal (1990) and Damini (1993), Santoshi was looking for something lighter and Aamir till that instance hadn’t done an all out comedy. Legend has it that it was AAA’s producer Vinay Sinha who approached Raj Santoshi with the idea of making a film with Aamir Khan. Salman Khan, Aamir Khan, Raveena Tandon and Karishma Kapoor in a scene from Andaz Apna Apna.